Iconic John Galliano vintage grey deconstructed frock jacket from his autumn / winter collection of 1988; London label. This piece is truly spectacular! A unique silhouette; extremely rare and obviously very collectable.
Detail: Double-breasted frock jacket with elongated panel to the front. Single asymmetrically cut pocket to left. Off centre vent to reverse. Double button fastening; internal ribbon fastening at waist-line to ensure perfect drape. Fully lined. Exquisitely constructed to show off Galliano's early genius.
Sizing: Small UK10. Shoulders seam to seam 15.5. Bust upto 36. Length 38 from top of collar to longest point of hem. Sleeve from shoulder seam to cuff 23.5. Measurements are provided in inches. Size Conversion Chart
Condition: Excellent. One tiny moth nibble located below the pocket. Vintage Condition Guide
John Galliano was born to a Spanish mother and Gibraltarian father, and Spanish heritage remains an integral part of Galliano’s life and work. He spent the first six years of his life submerged in a sensuous wonderland: Mediterranean colour and swirling, woven textile surrounded him at every turn. Such an environment kindled a love of textiles and design in Galliano from an early age, and Latin influences are prevalent in his later work.
In 1966 Galliano and his family moved to London. A massive culture shock awaited Galliano, as he was removed from his more vibrant former surroundings. His family prided itself immensely on appearance and each time he left the house as a child, Galliano was immaculately turned out. These standards of dressing, especially when he compared himself with his more slovenly English schoolmates, made him stand out and taught him important standards of dress, which he would require later in life. However, he was not considered an outstanding student. It was not until Galliano reached design school and was around people more like himself that he began to flourish.
Once Galliano had graduated from City and East London College, he enrolled at Central Saint Martins, where he made a remarkable impact. His graduation collection, titled ‘Les Incroyables’, made brilliant by his romantic flair and diligence, received huge approval. Indeed, his whole line was hastily snapped up and put into the window of Browns boutique. Galliano left Central Saint Martins in 1983 with a first class degree and a healthy stockpile of critical acclaim. In 1984, Galliano unleashed his own label. More critical approval followed. His daring reinvention of romantic themes and delicate, superbly tailored garments were his trademarks.
In 1987 he received the ‘British Designer of the Year’ award. However, critical success was not matched by major financial success. He lost backers and did not have enough money to show for several seasons. In frustration, he quit London for Paris in the early 1990’s. This was not an immediate solution. Several times Galliano was almost forced to declare bankruptcy. This was made all the more bitter by the fact that, while he struggled for money, his critical praise continued unabated. Fortunately, the admiration of the fashion community allowed him to continue. Fashion editors and critics were always busy trying to get work for Galliano, and models, like Kate Moss, worked for him out of friendship rather than money.
In 1995 Galliano finally got the break he so richly deserved: he became the first English man to head a French couture house, when he was put in charge of Givenchy. His knack for taking themes and styles, often Latin or romantic, from the past, and somehow making them contemporary and edgy, is astonishing. Perhaps just as remarkable is the perseverance and conviction of the man. He has managed to keep his talent undiluted through difficult times and emerge with glory and success.
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Chest Measure across from pit to pit, doubled to confirm circumference.
Waist Measure the narrowest part of the garment, doubled to confirm circumference
Hips Measure from the fullest part of the garment, doubled to confirm circumference
Sleeve Measure from shoulder seam to cuff
Length Measure from the highest point of the neckline to the hemline
Vintage Condition Guide
This is a widely used guide, but not all vintage sellers are the same, so do ask for additional information if you require clarification.
We pride ourselves on the immaculate condition of our vintage. Any imperfections will always be clearly disclosed, and described in all vintage product listings.
Our vintage is graded for condition, using the following categories:
Near Perfect - Mint
Shows only the slightest signs of being worn
Excellent
Shows typical, although minor, signs of wear
Very Good
Considered wearable but has some surface flaws i.e. staining, soiling or colour damage
Poor
Shows significant signs of wear.
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