Vintage John Galliano Matador Silk Skirt 1980s SOLD

SOLD

Detail: Vintage John Galliano 1980s decontructed matador skirt produced from a silk and rayon mixed fabric - London label. Wonderfully inventive for this period, illustrating Galliano's early geneous. The asymmetrical drape is achieved with a deep fold to the front panel, secured with two buttons. Unlined. Unique and collectable. Part of a suit; the jacket is slightly lighter in colour, and sold separately. Style the two pieces with a masculine white crisp shirt.

Period: 1980s

Condition: Excellent. Vintage Condition Guide

Sizing: Sized small. UK10-12. Waist upto 29. Hips 38. Length front 29, back 25. Measurements are provided in inches. Size Conversion Chart

Colour: Black, brown and blue tones: Muddy grey

Fabric:  70% Silk, 30% Rayon

Origin: United Kingdom

Care: Dry Clean

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Once Galliano had graduated from City and East London College, he enrolled at Central Saint Martins, where he made a remarkable impact. His graduation collection, titled ‘Les Incroyables’, made brilliant by his romantic flair and diligence, received huge approval. Indeed, his whole line was hastily snapped up and put into the window of Browns boutique. Galliano left Central Saint Martins in 1983 with a first class degree and a healthy stockpile of critical acclaim.
In 1984, Galliano unleashed his own label. More critical approval followed. His daring reinvention of romantic themes and delicate, superbly tailored garments were his trademarks.

In 1987 he received the ‘British Designer of the Year’ award. However, critical success was not matched by major financial success. He lost backers and did not have enough money to show for several seasons. In frustration, he quit London for Paris in the early 1990’s. This was not an immediate solution. Several times Galliano was almost forced to declare bankruptcy. This was made all the more bitter by the fact that, while he struggled for money, his critical praise continued unabated.
Fortunately, the admiration of the fashion community allowed him to continue. Fashion editors and critics were always busy trying to get work for Galliano, and models, like Kate Moss, worked for him out of friendship rather than money.

In 1995 Galliano finally got the break he so richly deserved: he became the first English man to head a French couture house, when he was put in charge of Givenchy.
His knack for taking themes and styles, often Latin or romantic, from the past, and somehow making them contemporary and edgy, is astonishing. Perhaps just as remarkable is the perseverance and conviction of the man. He has managed to keep his talent undiluted through difficult times and emerge with glory and success.